The message that actually travels.

One purpose-built stage on Floor 4, Horizon, wired to a control room, an in-house edit team and a producer who has run the call before. Two minutes from the ECB, on the same fibre as Deutsche Börse.

Horizon Stage 4K · Multi-cam Sat + Fibre uplink Floor 4

The brief

A studio that doesn't show up on camera.

The studio's job is to disappear. The CFO sounds clear, the CEO looks like themselves, the chyron lower-third matches your brand book to the kerning. Everything that gets in the way, cables, prompters, makeup chairs, lives in a dedicated tech corridor behind the wall.

Producer-led. Edit team in-house. Captions, transcripts, brand-safe redaction and per-channel cuts (LinkedIn, X, Bloomberg embed) shipped within the hour.

StageHorizon
UplinkSat + Fibre
EditIn-house
Notice48 hr
Where Broadcast fits at Junghof

Three categories. Distinct intents.

Junghof runs all three. Meetings decide. Events stage moments. Broadcast moves content to audiences who weren't in the room and never needed to be.

01 / Meetings

Decisions

Boardroom, strategy day, executive workshop. The room is the medium.

02 / Events

Inszenierung

Launches, award nights, conferences. Audience in the room.

03 / Broadcast

Reach

Live, hybrid, podcast, recorded. The camera is the room.

Six use cases

Pick the broadcast. We build the room.

01, 06

Three stages · Floors 7 + 8

The Horizon stack.

A broadcast-grade stage, a podcast series room and the control gallery that runs them, wired together, run by one producer, billed as one engagement.

Horizon Stage · Floor 4 Horizon Stage, broadcast-grade studio on Floor 4 with LED back-wall.
Stage 01 · The Broadcast Stage

Horizon.

4-cam · 30 × 3 m LED back-wall · Anchor desk + standing presenter set · Sat + fibre uplink

Built for the call regulators tune in to, and re-configurable in an afternoon for the recurring podcast, leadership video essay, or town hall. Anchor desk, second presenter set, four-camera mix to a single line cut. Sat uplink, fibre uplink, fallback ISDN voice line.

  • Bloomberg, Reuters and LSEG-compatible feeds
  • On-floor compliance officer for embargoed materials
  • Same-day captioned transcript and per-channel cuts (LinkedIn, X, Bloomberg embed)
  • Hybrid mode wires The Forum on Floor 7 into the same control room for town halls
Podcast Studio · Floor 7 Podcast Studio, series production room on Floor 7, anchor desk and acoustic treatment.
Stage 02 · The Series Room

Podcast Studio.

3-cam · Anchor desk for four · Acoustic-treated · Same-day cuts

A smaller, faster room scoped for the recurring series, the CEO video essay and the 30-minute interview. Acoustic-treated, three cameras, anchor desk for four, plus a couch corner for the longer conversation. Shares the control room with Horizon, so the same producer carries the brief.

  • Acoustic-treated walls, neutral lighting grid
  • Anchor desk for four, couch corner for longer interviews
  • Single producer can run two formats in a day
  • Cuts shipped within the hour, LinkedIn, YouTube, Spotify-ready
Control Gallery · Floor 7 Control Gallery, multi-camera vision mix and uplink encoders.
Stage 03 · The Engine Room

Control Gallery.

Vision mix · 4K master · Live captioning · Hybrid wiring

The control gallery sits behind both broadcast stages. Four-source vision mix, live captioning, on-screen Q&A moderation, four-way uplink redundancy, and a small client viewing room with the same line feed the regulator sees.

  • Four-source vision mix, switcher + EVS replay
  • Sat + fibre + 5G failover; ISDN fallback for voice
  • Live caption / interpretation in DE / EN / FR
  • Client viewing room with the line cut on-screen
The setup

Camera-first. Always.

A broadcast room is not an event room with a camera bolted on. The geometry, lighting, audio envelope and signal path at Horizon are designed for the lens, LED, audience and scenography are optional, not assumed.

Critical

Camera

4 broadcast bodies, PTZ + handheld. Director feed.

Critical

Sound

Lavalier, boundary, broadcast mix bus. Regulator-grade.

Critical

Light

Key, fill, hair, ambient. Designed for the lens, not the eye.

Optional

LED

Architecture wall or backdrop. For brand-grade scenography.

Optional

Audience

In-room guests for hybrid mode. The Forum on Floor 7 wires in.

Same room. Different stack. Engineered for what each output demands.

Kompetenz · Stagecraft

Who runs the room. In-house.

Cameras, mix bus, lighting plot, LED architecture, none of this works as a rental. Behind every Horizon production is a resident stagecraft team: technical directors, producers, engineers and designers who treat each shoot as a production, not a setup.

01 / Direction

Technical Director

Calls the show, owns the run-of-day, decides the look. One named TD per production.

02 / Production

Producers & Regie

Multi-camera regie, vision mixing, live graphics, replay. The director's chair, staffed weekly.

03 / Engineering

Audio · Light · LED

Broadcast-grade signal path. Lighting designed for the lens. LED rigging owned by the team that runs it.

04 / Design

Set & Scenography

Brand-grade scenography, on-screen graphics, lower thirds, set design. Room and feed share one visual language.

Why a recurring slot

Content is a flywheelnot a campaign.

Most Junghof teams come for an earnings call and stay for the series. A monthly slot in our podcast studio costs less than two flights to a conference, and ships ten times the audience.

×4

Output per shoot

One content day produces the long-form, the social cut-downs, the snippets and the stills. One day, a quarter of feed.

12×

Recurring per year

Monthly podcast retainer. Same studio, same crew, same time-slot. Calendar-grade reliability.

<1d

Replay turnaround

Live broadcast available for replay within an hour. Edited cuts within one working day.

Also at Junghof

More at this location.

A broadcast usually pulls a meeting and a dinner with it. Same producer; one bill.

Broadcast · across SPARK

Broadcast elsewhere.

Same control room logic. Same producer team. Different cities.

Begin a production

Tell us what the message has to do.

A producer answers in one working day with a studio recommendation, a draft run-of-show and a clear total, including edit and distribution.